This week, we’re finishing out the rest of Loudwire’s top ten black metal albums. Again, we’ll be evaluating the albums on the quality of their production (PQ; scale of one to three tapes) and how well their story could be adapted into a Netflix true crime documentary series (Netflixability; one to three burned churches). SATYRICON’S […]
Last October, we explored Pitchfork’s list of their top industrial albums and listened to a bunch of Germans get all sweaty. This week (and next) we’re examining the music the most translucent people in the world (Scandinavians) made between burning churches and murdering each other and themselves, black metal. Our list comes courtesy of the […]
Do you like the Ramones and the Velvet Underground? Oh, do I! Would you like it if the Shangri-Las recorded their pop hits with off-brand Japanese fuzz pedals? Who wouldn’t? Do you want to listen to an album that’s central to shoegaze, goth, noise pop, and indie rock? Take my $20 and mail it to […]
In preparation for writing this column, I often burn an MP3 disc of songs to crank in my car’s CD player. I still don’t think there’s a better way to listen to music. With this admittedly lofi system, I don’t have to hassle with my phone or Spotify or Bluetooth or an aux cable. The […]
For the most part, I like simple pleasures, like lollipops in my mouth, butter in my ass, and distorted guitars in my music. My boo is gnarly guitar rock. I love her with all the heart and we have a healthy, disgusting sex life. But every now and then, the perverts from other genres create […]
My dad and I have listened to the Grateful Dead together more than any other band. I remember when Jerry Garcia died during my childhood, my dad was so disappointed we would never share the experience of seeing the play together live. Fortunately, we got the next best thing, as the Dead continued touring composed […]
For the last few years my buddy Bob Cosmo asked me for a list of my years’ top ten albums (here’s his), and every year I either bunted or ignored him outright. But this year I’m going to try, in my own limited way, to celebrate my favorite music released this year. Some caveats: I […]
Consider last week’s column as the introduction to this one. Here are a handful of rock and punk albums that make good use of keyboards and synthesizers. THE WHO’S WHO’S NEXT: We can’t really do a list like this without acknowledging the Who’s Who’s Next. In an era when The Band, The Rolling Stones, and […]
I know this is guitar prejudice talking here but I’ve always been suspicious of keyboard players in rock bands. It could be because I feel threatened by them. They’re typically the most musically literate in the group and they have an instrument that can go both lower and higher than mine. They’re also an entire […]
Earlier last month Jenn Pellet wrote an appreciation of Patti Smith’s Horses on its 50th anniversary for part of its Sunday album series. The Heck Records column is about music, but it’s also about writing, and I want to recognize that in an era of half-baked hot takes, AI slop, and bloated “content,” Pitchfork’s Sunday […]